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The ensemble is composed of Idris Rahman and Tamar Osborn on woodwinds, alternating between alto clarinet and saxophone, and percussionist Yusuf Ahmed on drums. Unfortunately, we’re missing their usual sitarist, Jihad Darwish – but Liran Donin steps in on bass guitar for tonight’s show.
Before the night kicks off, I have the pleasure of chatting with the band outside. Yusuf reveals that even the band isn’t certain about the musical direction tonight. He tells me the entire set will be improvised – a promising sign that we’re in for some seriously organic free, contemporary jazz.
We open with a melodic, Arabic-inspired progression, blending high-pitched clarinets with a soft, rapid beat on the drums. Liran’s bass faithfully strums, providing a crucial backdrop as we delve into full-frontal, unrestrained experimental jazz. Before long, it’s challenging to recall the delicate tune with which we began as the band immerses us in infectious, repetitive, and addictive melodies. Idris and Tamar swiftly switch from clarinets to robust saxophones, and suddenly, we’re deep in a dangerously-danceable Samba-like rhythm.
By the end of the first set, my suspicions are confirmed: these musicians are contemporary jazz masters. Textural, diverse, and never predictable, their music thrives on true harmonization. With the exception of a brief 15-minute intermission, they play non-stop for a full two hours, seamlessly synchronizing and showcasing a genuine skill for improv.
What stands out about Unknown to Known is their innovative approach to the genre. They prove that jazz can transcend brass and woodwinds. In one dreamy melody, featuring both Tamar and Idris on clarinets, Idris pauses to replace his instrument with a saxophone – then opts for a walnut seed shaker instead. It’s both sensitive and impromptu, adding a beautiful dimension to their music.
They continue to diversify their performance with recycled bottle caps, handmade maracas, and bundles of olive branches throughout the night, a selection of tools that elevates their improv to another level. The audience is taken on an expedition as Yusuf uses olive tree branches to softly drum on the cymbals, mimicking leaves swishing in the wind. Idris crafts a bird-song-like whistle with a simple wooden flute, and Tamar, during one riotous moment, trades her clarinet for hands and feet, clapping and stomping along to the rhythm.
Unknown to Known harmonizes without restraint. It’s a testament to their talent, but their synergy goes beyond their music. Perfectly synchronized, the band dances together as they jam, all toe-tapping and head-bobbing. As the music swells, Idris bows into the performance, his saxophone belting out a final song, with the quintet following his lead. There are few solos; instead, everyone plays together, resulting in an incredible night of non-stop music.
